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Our Wings May Be Featherless is the debut solo album from Suz Slezak, co-founder of the pioneering indie folk band David Wax Museum. The nine-track album was produced by Anthony da Costa (Joy Williams, Yola, Sarah Jarosz) and recorded throughout 2020 in Nashville and in Slezak’s homebase of Charlottesville, VA. It is a stunning and poignant collection of songs, an emotional tour de force, displaying the artist’s breathtaking lyricism, multi-instrumental breadth, and her ability to weave some of life's most difficult moments – traumatic childbirth, a best friend's suicide, and her own public struggle with bipolar disorder – into an Americana masterpiece.
PRESS / INTERVIEWS
Featured on NPR Music’s All Songs Considered
Read Suz’s Interview with Analogue
“beautiful mess”
First Single released January 18
“The world is perfect. It’s a mess. It’s always been a mess. We’re not going to change it. Our job is to straighten out our own lives.”
Inspired by these words from mythologist Joseph Campbell that Suz keeps posted above her writing desk, "Beautiful Mess" charts Slezak's journey from the depths of her bipolar disorder to an empowered acceptance of her own illness. Produced by Anthony da Costa (Joy Williams, Yola, Sarah Jarosz) and featuring drummer Jason Burger (Big Thief, Rodney Crowell), this first song showcases an accomplished artist boldly embracing compassion with the world and with herself.
Suz shares: Straightening out my own life has meant looking manic depression in the face, not hiding from it anymore, accepting treatment, and making sense of it as best as I can. For me, writing these songs was a form of healing – a way of coming to terms with a brain that’s been reeling, sometimes out of control, my whole adult life.
“Take Me”
New Single Out Feb 8
“Take Me,” an ethereal, gut-wrenching ballad about childbirth, is at the emotional heart of the record. Listen on Spotify, Apple Music, etc.
Suz shares: I wrote "Take Me" as an attempt to accept the circumstances surrounding the birth of my first child. Amongst my fellow moms-to-be, expectations around giving birth loom large, especially the pressure to have a “natural” birth. I spent my first pregnancy lying down on the back of the tour van watching “gentle birth” videos on YouTube. These videos showed mothers in birthing tubs gently swaying, eyes closed, sometimes moaning quietly as the baby slipped out. Meanwhile, hugging my body pillow as we slogged along I-95, I dissolved into tears of joy at witnessing the miracle of life.
When my 40-hour labor ended in an emergency c-section, my tears lasted for years, as I processed the disappointment and anger at myself for somehow believing in a birth that might be “easy” and "natural" just because I’d wished it so. The healing process was quite long for me, as I underwent the physical recovery from surgery, combined with feelings that I hadn’t tried hard enough or prepared well enough. Today I can see that the fact I toured throughout both my pregnancies was actually quite heroic. But it has taken nearly a decade. “Take Me” is a statement of deep acceptance of myself, scars and all, and a recognition of the intense fear that can be involved in giving birth, despite our intentions to welcome the pain as we become a vessel for new life.
“LoneLiness Is Measured”
New Single Out March 1
Today Suz Slezak releases the next single “Loneliness Is Measured” from her forthcoming album Our Wings May Be Featherless (out March 4 on Nine Mile Records). The alchemy of Slezak’s art making, of conjuring these nine indelible songs out of darkness and adversity, is both the album’s magic and its raison d’etre. As Slezak explains:
A song can transform haunting pain into sounds and rhythm, allowing it to finally diffuse. I have needed to make this record for a very long time. And the relief I feel that it is finally emerging into this physical realm is quite immense.
“Loneliness Is Measured,” the haunting piano ballad out today, explores the dark state of bipolar depression that Slezak has struggled with throughout her adult life. With its poignant images of a Day of the Dead altar and the chilling sound of ghosts breathing, it takes the listener deep into the mind of someone wallowing under the weight of loneliness and loss. And yet, the song, written from a more stable and mature place, imagines one's inner self drawn to the chrysalis and looking for signs of new life. Inside this one song, Slezak captures where she’s been and shows the listener a way out, the table of life ready and waiting, “If you’ll only grab the fork and knife.”
In my 20s the feelings of loneliness, loss and despair existed hand in hand with depression. They fueled each other, each wanting the upper hand. As I’ve gotten older and learned not to give my emotions as much weight as I used to, the feelings that used to overwhelm me have loosened their grip. I’ve come to see depression and despair as two different creatures, one an emotion, and the other a brain state.
Suz’s Rolling Stone interview
Notes from Suz
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CONTACT
PRESS: Maddie Corbin, Lucky Bird Media, maddie@luckybirdmedia.com
RADIO: Ronda Chollock, Insubordinate Media, rchollock@gmail.com
LICENSING: Daniel Higbee, Dualtone, daniel@dualtone.com
LABEL: Rick Pierik, Nine Mile Records, rick@ninemilerecords.com